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In the foregoing exposition we have now learnt something of the dream work; we must regard it as a quite special psychical process, which, so far as we are aware, resembles nothing else. To the dream work has been transferred that bewilderment which its product, the dream, has aroused in us. In truth, the dream work is only the first recognition of a group of psychical processes to which must be referred the origin of  hysterical symptoms, the ideas of morbid dread, obsession, and illusion. Condensation, and especially displacement, are never-failing features in these other processes. The regard for appearance remains, on the other hand, peculiar to the dream work. If this explanation brings the dream into line with the formation of psychical disease, it becomes the more important to fathom the essential conditions of processes like dream building. It will be probably a surprise to hear that neither the state of sleep nor illness is among the indispensable conditions. A whole number of phenomena of the everyday life of healthy persons, forgetfulness, slips in speaking and in holding things, together with a certain class of mistakes, are due to a psychical mechanism analogous to that of the dream and the other members of this group.

Displacement is the core of the problem, and the most striking of all the dream performances. A thorough investigation of the subject shows that the essential condition of displacement is purely psychological; it
is in the nature of a motive. We get on the track by thrashing out experiences which one cannot avoid in the analysis of dreams. I had to break off the relations of my dream thoughts in the analysis of my dream on p. 8 because I found some experiences which I do not wish strangers to know, and which I could not relate without serious damage to important considerations. I added, it would be no use were I to select another instead of that particular dream; in every dream where the content is obscure or intricate, I should hit upon dream thoughts which call for secrecy. If, however, I continue the analysis for myself, without regard to those others, for whom, indeed, so personal an event as my dream cannot matter, I arrive finally at ideas which surprise me, which I have not known to be mine, which not only appear _foreign_ to me, but which are _unpleasant_, and which I would like to oppose vehemently, whilst the chain of ideas running through the analysis intrudes upon me inexorably. I can only take these circumstances into account by admitting that these thoughts are actually part of my psychical life, possessing a certain psychical intensity or energy.
However, by virtue of a particular psychological condition, the _thoughts could not become conscious to me_. I call this particular condition “_Repression_.” It is therefore impossible for me not to recognize some casual relationship between the obscurity of the dream content and this state of repression–this _incapacity of consciousness_. Whence I conclude that the cause of the obscurity is _the desire to conceal these thoughts_. Thus I arrive at the conception of the _dream distortion_ as the deed of the dream work, and of  _displacement_ serving to disguise this object.

I will test this in my own dream, and ask myself, What is the thought which, quite innocuous in its distorted form, provokes my liveliest opposition in its real form? I remember that the free drive reminded me of the last expensive drive with a member of my family, the interpretation of the dream being: I should for once like to experience affection for which I should not have to pay, and that shortly before the dream I had to make a heavy disbursement for this very person. In this connection, I cannot get away from the thought _that I regret this disbursement_. It is only when I acknowledge this feeling that there is any sense in my wishing in the dream for an affection that should entail no outlay. And yet I can state on my honor that I did not hesitate for a moment when it became necessary to expend that sum. The regret, the counter-current, was unconscious to me. Why it was unconscious is quite another question which would lead us far away from the answer which, though within my knowledge, belongs elsewhere.

Taken From : Dream Psychology Psychoanalysis for Beginners

The origin of the figures from the matter of the dream thoughts and the changes the figures underwent are of interest. Whence came the one florin fifty kreuzers? From a trifling occurrence of the previous day. Her sister-in-law had received 150 florins as a present from her husband, and had quickly got rid of it by buying some ornament. Note that 150 florins is one hundred times one florin fifty kreuzers. For the _three_ concerned with the tickets, the only link is that Elise L—- is exactly three months younger than the dreamer. The scene in the dream is the repetition of a little adventure for which she has often been teased
by her husband. She was once in a great hurry to get tickets in time for a piece, and when she came to the theater _one side of the stalls was almost empty_. It was therefore quite unnecessary for her to have been
in _such a hurry_. Nor must we overlook the absurdity of the dream that two persons should take three tickets for the theater.

Now for the dream ideas. It was _stupid_ to have married so early; I _need not_ have been _in so great a hurry_. Elise L—-’s example shows me that I should have been able to get a husband later; indeed, one a
_hundred times better_ if I had but waited. I could have bought _three_such men with the money (dowry).

[1] “Ich möchte gerne etwas geniessen ohne ‘Kosten’ zu haben.” A a pun upon the word “kosten,” which has two meanings–”taste” and “cost.” In “Die Traumdeutung,” third edition, p. 71 footnote, Professor Freud
remarks that “the finest example of dream interpretation left us by the ancients is based upon a pun” (from “The Interpretation of Dreams,” by Artemidorus Daldianus). “Moreover, dreams are so intimately bound up
with language that Ferenczi truly points out that every tongue has its own language of dreams. A dream is as a rule untranslatable into other languages.”–TRANSLATOR. Read the rest of this entry »

Beyond these four activities there is nothing else to be discovered in the dream work. If we keep closely to the definition that dream work denotes the transference of dream thoughts to dream content, we are
compelled to say that the dream work is not creative; it develops no fancies of its own, it judges nothing, decides nothing. It does nothing but prepare the matter for condensation and displacement, and refashions it for dramatization, to which must be added the inconstant last-named mechanism–that of explanatory elaboration. It is true that a good deal is found in the dream content which might be understood as the result of another and more intellectual performance; but analysis shows conclusively every time that these _intellectual operations were already present in the dream thoughts, and have only been taken over by the
dream content_. A syllogism in the dream is nothing other than the repetition of a syllogism in the dream thoughts; it seems inoffensive if it has been transferred to the dream without alteration; it becomes
absurd if in the dream work it has been transferred to other matter. A calculation in the dream content simply means that there was a calculation in the dream thoughts; whilst this is always correct, the
calculation in the dream can furnish the silliest results by the condensation of its factors and the displacement of the same operations to other things. Even speeches which are found in the dream content are not new compositions; they prove to be pieced together out of speeches which have been made or heard or read; the words are faithfully copied, but the occasion of their utterance is quite overlooked, and their
meaning is most violently changed.

It is, perhaps, not superfluous to support these assertions by examples:

1. _A seemingly inoffensive, well-made dream of a patient. She was going to market with her cook, who carried the basket. The butcher said to her when she asked him for something: “That is all gone,” and wished to give her something else, remarking; “That’s very good.” She declines, and goes to the greengrocer, who wants to sell her a peculiar vegetable which is bound up in bundles and of a black color. She says: “I don’t
know that; I won’t take it.”_

The remark “That is all gone” arose from the treatment. A few days before I said myself to the patient that the earliest reminiscences of childhood _are all gone_ as such, but are replaced by transferences and
dreams. Thus I am the butcher. Read the rest of this entry »

When I follow out the dream thoughts closely, I ever find only _scorn_and _contempt_ as _correlated with the dream’s absurdity_. It is well known that the discovery of a cracked sheep’s skull on the Lido in Venice gave Goethe the hint for the so-called vertebral theory of the skull. My friend plumes himself on having as a student raised a hubbub for the resignation of an aged professor who had done good work (including some in this very subject of comparative anatomy), but who, on account of _decrepitude_, had become quite incapable of teaching. The  agitation my friend inspired was so successful because in the German Universities an _age limit_ is not demanded for academic work. _Age is no protection against folly._ In the hospital here I had for years the honor to serve under a chief who, long fossilized, was for decades
notoriously _feebleminded_, and was yet permitted to continue in his responsible office. A trait, after the manner of the find in the Lido, forces itself upon me here. It was to this man that some youthful colleagues in the hospital adapted the then popular slang of that day: “No Goethe has written that,” “No Schiller composed that,” etc.

We have not exhausted our valuation of the dream work. In addition to condensation, displacement, and definite arrangement of the psychical matter, we must ascribe to it yet another activity–one which is,
indeed, not shared by every dream. I shall not treat this position of the dream work exhaustively; I will only point out that the readiest way to arrive at a conception of it is to take for granted, probably unfairly, that it _only subsequently influences the dream content which has already been built up_. Its mode of action thus consists in so coördinating the parts of the dream that these coalesce to a coherent whole, to a dream composition. The dream gets a kind of façade which, it is true, does not conceal the whole of its content. There is a sort of preliminary explanation to be strengthened by interpolations and slight alterations. Such elaboration of the dream content must not be too pronounced; the misconception of the dream thoughts to which it gives rise is merely superficial, and our first piece of work in analyzing a dream is to get rid of these early attempts at interpretation.

The motives for this part of the dream work are easily gauged. This final elaboration of the dream is due to a _regard for intelligibility_–a fact at once betraying the origin of an action which behaves towards the actual dream content just as our normal psychical action behaves towards some proffered perception that is to our liking. The dream content is thus secured under the pretense of certain expectations, is perceptually classified by the supposition of its intelligibility, thereby risking its falsification, whilst, in fact, the most extraordinary misconceptions arise if the dream can be correlated with nothing familiar. Every one is aware that we are unable to look at any series of unfamiliar signs, or to listen to a discussion of unknown words, without at once making perpetual changes through _our regard for intelligibility_, through our falling back upon what is familiar. Read the rest of this entry »

These short, crude observations naturally do not suffice as an estimate of the abundance of the dream’s formal means of presenting the logical relationships of the dream thoughts. In this respect, individual dreams are worked up more nicely or more carelessly, our text will have been followed more or less closely, auxiliaries of the dream work will have been taken more or less into consideration. In the latter case they
appear obscure, intricate, incoherent. When the dream appears openly absurd, when it contains an obvious paradox in its content, it is so of purpose. Through its apparent disregard of all logical claims, it expresses a part of the intellectual content of the dream ideas. Absurdity in the dream denotes _disagreement, scorn, disdain_ in the dream thoughts. As this explanation is in entire disagreement with the view that the dream owes its origin to dissociated, uncritical cerebral activity, I will emphasize my view by an example:

_”One of my acquaintances, Mr. M—-, has been attacked by no less a person than Goethe in an essay with, we all maintain, unwarrantable violence. Mr. M—- has naturally been ruined by this attack. He complains very bitterly of this at a dinner-party, but his respect for Goethe has not diminished through this personal experience. I now attempt to clear up the chronological relations which strike me as improbable. Goethe died in 1832. As his attack upon Mr. M—- must, of course, have taken place before, Mr. M—- must have been then a very young man. It seems to me plausible that he was eighteen. I am not certain, however, what year we are actually in, and the whole calculation falls into obscurity. The attack was, moreover, contained in Goethe’s well-known essay on ‘Nature.’”_

The absurdity of the dream becomes the more glaring when I state that Mr. M—- is a young business man without any poetical or literary interests. My analysis of the dream will show what method there is in this madness. The dream has derived its material from three sources: Read the rest of this entry »

The dream’s means of expression must therefore be regarded as meager in comparison with those of our imagination, though the dream does not renounce all claims to the restitution of logical relation to the dream thoughts. It rather succeeds with tolerable frequency in replacing these by formal characters of its own.

By reason of the undoubted connection existing between all the parts of dream thoughts, the dream is able to embody this matter into a single scene. It upholds a _logical connection_ as _approximation in time and space_, just as the painter, who groups all the poets for his picture of Parnassus who, though they have never been all together on a mountain peak, yet form ideally a community. The dream continues this method of presentation in individual dreams, and often when it displays two elements close together in the dream content it warrants some special inner connection between what they represent in the dream thoughts. It should be, moreover, observed that all the dreams of one night prove on analysis to originate from the same sphere of thought.

The causal connection between two ideas is either left without presentation, or replaced by two different long portions of dreams one after the other. This presentation is frequently a reversed one, the beginning of the dream being the deduction, and its end the hypothesis. The direct _transformation_ of one thing into another in the dream seems to serve the relationship of _cause_ and _effect_. Read the rest of this entry »

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The need of discovering some motive for this bewildering work of the dream is even more called for in the case of displacement than in condensation.

Although the work of displacement must be held mainly responsible if the dream thoughts are not refound or recognized in the dream content (unless the motive of the changes be guessed), it is another and milder
kind of transformation which will be considered with the dream thoughts which leads to the discovery of a new but readily understood act of the dream work. The first dream thoughts which are unravelled by analysis frequently strike one by their unusual wording. They do not appear to be expressed in the sober form which our thinking prefers; rather are they expressed symbolically by allegories and metaphors like the figurative language of the poets. It is not difficult to find the motives for this degree of constraint in the expression of dream ideas. The dream content consists chiefly of visual scenes; hence the dream ideas must, in the first place, be prepared to make use of these forms of presentation. Conceive that a political leader’s or a barrister’s address had to be transposed into pantomime, and it will be easy to understand the transformations to which the dream work is constrained by regard for this _dramatization of the dream content_.
Read the rest of this entry »